Friday, 15 May 2009

Writing Prize - Yay me!!!

Today at work I learned that I won first prize in a review writing competition, set by the local college, who hold classes at our place of work. The competition was to write a review on anything... album, concert, book, film, restaurant etc. Now, whilst it was very tempting for me to stick to what I know and love (U2 of course) I decided to go with a restaurant review, and chose Gordon Ramsay at The London in NYC.

The review had to be 500 words or less, which is difficult, but I managed it. :)

The great thing about it all is that Keith, my hubby, entered the competition too, and he wrote a review of the album "The Wall" by Pink Floyd. I helped him a little bit by editing and he won first prize with me!!! They could not decide between us...

We had already decided to share the prize whoever won, so now we have £45 each to spend!

Here are the reviews. The Pink Floyd one is particularly interesting for me because it is fascinating to have something like that album explained. The theme behind it is something I had never even given a second thought. Thanks to Keith for a great insight!


Gordon Ramsay at the London Hotel, New York, NY

Whenever I think of Gordon Ramsay, I think of some hyper-active, spiky-haired creature, bouncing up and down on the balls of his feet, punching his palm and making wild gestures, expletives spewing out like fire from a dragon's mouth. So, going to his restaurant was a little daunting.

Expecting fireworks, we arrived at the London Hotel to find an understated, serene place. It was like the calm and peaceful eye of the storm that was Manhattan, and while that storm raged outside, inside we floated gently on a tranquil sea of music and hushed tones. The walls of the restaurant were pale oyster panels, and the tables had crisp white cloths.

We arrived early, but were courteously seated with no fuss. A waiter arrived and asked: "Would you like to join us in a glass of champagne?", which sounded like he was going to give us a free one, and join us in drinking it. I said yes, and when I saw the cost on the bill, I thought that perhaps the staff had all joined us in a glass, and we had paid for it!

Although Gordon does not actually work in the kitchens here, his personality and signature were all over every dish. The array of courses was mind-boggling. Tiny, delicious canapes, an 'amuse bouche', starter, main course, 'pre-dessert' and finally dessert. Hats off to any restaurant that gives you a dessert to prepare you for a dessert!

The food was a work of art (we photographed every dish!) and as every plate was presented and explained by the waiters, I thought of Gordon in the kitchen before the restaurant ever opened, showing his chefs exactly what to do. I thought of all the times I had seen him on the TV, screaming at a chef that a particular dish was not good enough to leave the kitchen - did not meet his standards. And I was grateful for that attention to detail.

The portions we had were not huge. The fact that we ate two lots of bread (which was delicious) and practically licked our plates clean (if no one had been around, I would have!) is testament to that. We even bought some Pringles on the way back to our hotel! But, as they say, size is not everything. The experience of being in a Gordon Ramsay restaurant was, for me, a dream come true. To experience fine dining at its very best and have the talent of a chef like Gordon behind it was worth every penny.

Since this visit was to celebrate our wedding anniversary, when our bill arrived we were presented with a mini sorbet with a candle in it, with a message written in chocolate! What a lovely touch.

I wrote thanking the restaurant on getting home, and by return came a lovely reply. Gordon passed on his best to me and my email was read at the morning team briefing at the restaurant. The perfect end to a wonderful experience.

The Wall by Pink Floyd

Released in 1979, The Wall produced a number one hit single, a love it or hate it film, one of the most popular guitar solos of all time, and the death knell for the band that created it.

To go beyond The Wall you have to enter the mind of its creator, Roger Waters. The inspiration for the character known as Pink in The Wall is Waters himself. It is a musical autobiography.


The album opens with a soft melody representing a late summer evening in England. Seventeen seconds in, a crash of drums and guitars herald the start of the war. The track ends with the screaming dive-bomber releasing a bomb but instead of an explosion, we hear the cry of a baby. Waters was just five months old when his father was killed at Anzio in Italy during WWII.

The album then unwinds to reveal a troubled, fatherless childhood and an over-protective mother. Another Brick In The Wall (part two) tells of unhappy schooldays and a sadistic schoolmaster. Each traumatic experience is logged in his memory and forms "another brick in the wall". As he grows up, the threat of nuclear holocaust and experiences of the opposite sex all contribute to his mental instability. More bricks for the wall being built inside his troubled mind.


Further on, Pink is married and is a rock star touring America. Clever sound clips tell the story and link the songs. He finds out that his wife is being unfaithful when the international operator is connecting him to his home phone and a strange man answers and hangs up. In turmoil he brings a girl back to his hotel room but flies into a rage as she tries to seduce him. Realising that everybody close to him either hurts or exploits him, he resigns himself to a world of drug-induced isolation, safe in his hotel room flicking from channel to channel on the TV. The wall is complete and he is hiding behind it.

Alone, he reflects on his fate, the horrors of war and the pressure to perform. However, his managers need him for the concerts and won’t allow him any respite. They use drugs to revive him. Jolted from his stupor he resolves to become more aggressive towards the world that has hurt him and assumes a neo-Nazi persona to his fans, inciting racial hatred and violence.

The penultimate track is called "The Trial" as a judge hears evidence from his mother, his wife and the schoolmaster. His verdict is for Pink to be exposed to his fears and traumatic experiences, to confront them and recover as best he can. Finally the opening theme is reprised as those who really love him gather around him to aid his recovery.

The problem with any autobiography is that it is deeply individual and because of Waters' domineering manner during recording, divisions were created that were never healed. However, thirty years on it remains a remarkable piece of work from a remarkable man.

Sunday, 3 May 2009

The "Magnificent" Stuedabakerbrown

I have discovered a new band... it's always great when you do that. They are called Stuedabakerbrown and they are from the borough of Monroe in NYC. Their music is influenced by the likes of U2 (good taste), Tom Petty and Coldplay. The singer has a killer voice!! Check them out here on youtube.

Here are two of my faves. The first is one of their own songs, A Time For Fire, and the second is a cover of Magnificent which is... well Magnificent! For the latter, please ignore the silly schoolboy video of the guitarist jumping around in his underpants (boys will be boys!!). Listen to it with your eyes closed, and preferably with headphones because the sound is kind of poor. But it's the only example of Magnificent that I can find.




Haven't seen you in quite a while....

... I was not down the hold just passing time though, LOL.

I have been banning myself from spending too much time doing things online. Why? Because my novel will not get written by itself. I needed to take myself away from distraction, so spent a few weeks just using my PC as a word processor rather than a tool to take me on wild journeys all over the place! It worked... kind of. I did some writing, but it's still nowhere near enough. Oh well, these things take time. And in the meantime it is time to do some blogging again.

Sunday, 19 April 2009

It's 2009 - Do You Know Where Your Soul Is?

Bono sat in the "Op-Ed Guest Columnist" chair again at the New York times yesterday. Read his piece - and all the comments it provoked - here.

One thing is for sure. People love him. People hate him. But he always gets them talking.

Oh and I do wish people would get off the "Bono tax dodger" bandwagon! It is sooooo boring now. Whether Bono is dodging paying exorbitant taxes or not (and who would NOT try to dodge that?!) has no bearing on the work he does nor does it influence the poverty or otherwise of the countries he is trying to help.

Wednesday, 25 March 2009

Off to Dublin

I am off to Dublin for a few days today. In a few hours I will be there. I just need to perfect the art of cramming all my toiletries into an A5 sized plastic bag, since I am not checking anything in! I read the advice on the Manchester Airport page, and I think I am sailing a little close to the wind, but I have graded my stuff in order of what I can ditch if I need to, so wish me luck! Ha ha.

This trip has been made possible by Sue, who invited me to stay with her while she house sits for a friend in Dun Laoghaire. We have a lovely, cosy home to call our own for the time we are there. And there is even a cat!!

Tonight we are going out to eat at La Strada, our favourite restaurant in Dun Laoghaire, and one we have visited many times. Tomorrow we are eating in, and then on Friday, our new favourite place in Dublin, the Town Bar and Grill. A tad more expensive than most places we go to, but the food and the ambience is well worth the money. Well, if you don't go when there is a party on as we did near Christmas last year. Then, it is a nightmare and you can't even hear yourself think! You can't even hear yourself burp though, which is quite handy!!

So, I will be updating my blog when I get back. Cheerio!

Tuesday, 24 March 2009

U2 - No Line On The Horizon - Album Review

I think I am long overdue a review of this album. I gave my first, early impressions of it, but I was kind of putting off going into any depth because I have still been getting to grips with it. Not that it is hard work, but just that I am allowing it to wash over me gradually. I didn't want to rush my thoughts.

Prompted by a friend's email to me with her thoughts, I wrote back to her with mine. A little shambolic and jumbled though they were, I think they are as close to an in depth review of the album as I am likely to get in the coming months, as I have a lot of travel coming up (during all of which I will have my iPod earphones jammed in my ears with NLOTH on!).

So... I thought I would simply paste my email to my friend. So hope you enjoy my rambling about NLOTH. I have edited here and there to cut out anything irrelevant and to make it suitable for my blog.

****
I have been trying to formulate my thoughts on the album into some sort of cohesive sentences, because at the moment it seems more instinctual for me to like it, rather than intellectual, if that makes any sense. I kind of sense what is being conveyed, but it's more of a silent language at the moment. The music is uppermost in my mind (more on that later) and I am trying to make sense of the lyrics - which incidentally I think are some of the best that Bono has ever written.

Sometimes I am loathe to try to analyse what Bono means when he writes, because as you know, writing is so objective/subjective, and the meaning can be easily disguised. Here on this album, Bono is kind of hiding behind the "third person" (technically he is still writing in 1st person POV), and this is something a writer can easily do. Pretend it's a character and you can get away with anything. If you show your heart or your hand too much you can say it's not you. I think that, despite the characters he uses a little in this album, these are some of the most personal songs that he has ever done.

I like this album better than The Joshua Tree - and I LOVE the Joshua Tree. That album will always be an absolute classic, and it showed a band (and moreso a man) maturing, turning from a boy to a man. Both in ideas and in voice. But, even though the Joshua Tree spoke of worldly things, they were only worldly things that Bono was just on the cusp of discovering. Joshua Tree was, for me, the onset of a journey into discovering life. Writing about a bigger world that was to be explored. His songs were passionate and objective, but only from the point of view of an outsider looking in. A relative youngster (he was only 27!) Now, Bono has explored that world, and his lyrics are more intense because they come from a direct experience he was only touching on before. When he talks from the point of view of a war correspondent, he is really talking about his own experiences. Mourning lost youth, and past loves, and talking about futility, and war, and the way the world is. And religion of course... God is always there. I have no religious beliefs, but have always been in awe of other people's. Especially Bono's. I mean, it can't be the bunkum I think it is, if someone like him believes it! Right? I respect his views, and marvel at the strength it so obviously brings him.

There is such beauty in his words... at times on this album just hearing them brings me to tears. Most notably on Magnificent: Only love can leave such a mark/Only love can heal such a scar - the profundity of that. The contradiction of love. It scalds and soothes. And Bono laid bare… From the womb, my first cry was a joyful noise.

One of the best songs lyrically for me (at the moment!) is “I’ll Go Crazy”. This track literally erupts with genius! Humour abounds along with pathos. Every beauty needs to go out with an idiot and The right to appear ridiculous is something I hold dear brushing shoulders with The sweetest melody is the one we haven’t heard and is it true that perfect love drives out all fear?

Lots of other gems on the album… a couple that spring to mind now are Where a lovesick eye can steal the view and If only a heart could be as white as snow.

I need to explore the lyrics more. But I will finish on the subject by saying that I can not find any "dodgy" lyrics on this album. And that happened on the last one, and on subsequent songs that U2 were involved in (I won't mention the songs here, but they know who they are!!). Lyrics "thrown in" at the last minute it seemed. Easy, clichéd rhymes and bad grammar for the sake of fitting them into the song in the alloted space. I always feel cheated when that happens. It doesn't happen on this album. All the lyrics are relevant and true. Even the "cockatoo" lyric. All part of a bigger genius. You don't have to look far for the sense in these songs.

Moving on, musically and vocally, I find this album breathtaking. Bono’s voice soars and the guitar roars. All those fun clichés we heard are made real on this record - Bono is singing like a bird and the Edge is on fire!! This album is pure U2 (in parts so utterly recognizable that it’s like you have come home) but it's U2 on steroids! The title track is the most amazing thing… U2 venturing out into something new, and proving that they can be relevant, and ground-breaking, in their own right.

I love all of the tracks… the only one I really skip is “Boots” but then I always skip the first single off an album. There’s nothing wrong with it. It’s a great song. But I’ve listened to that enough. I thought there was going to be a track I hated, and indeed, when I first played the album there were tracks that were great contenders for that title, but I genuinely love them all. They are so diverse. The music is in parts uplifting, in parts soothing, thought-provoking. This is exactly what I wanted. Music of power, and poetry, and sensual, caressing vocals.

My one fear before the album was released was that it would be like the previous two. That it would have a few great songs but no cohesion, no sense or message that I could discern. But this album flows from beginning to end and it makes perfect sense to me. Even if I could not explain it to anyone else.

As for how this album will translate to the live environment. I think that already we can see the crowd-pleasers, the sing-alongs, the songs that move you to tears. I hear reports that the bassline in Magnificent can be felt in your chest! I look forward to that! Can you imagine the hysteria that will erupt when the first strains of that song are heard? I can’t wait to sing along to “Crazy” and “Breathe” and to cry at “Moment of Surrender”…..

A fitting title as we surrender ourselves again to the joy of a U2 show!

Thursday, 19 March 2009

Eyeliner on the horizon....


Come July, I will be seeing the above vision in real life! Hope so anyway... hope that Bono does not decide to ditch the eyeliner by then.

So far we have tickets for Nice, Dublin, Wembley and Glasgow.... more to come tomorrow with any luck. Sue will be doing the honours again :) Wish her (and me!) luck!

And you hunger for the time, time to heal, desire time. And your earth moves beneath your own dream landscape.......